![]() "In this opening performance video, Ellis Paul performs his original song, "Slingshot." Ellis joins us from Charlottesville, Virginia and presents his tune about wanting something better." "In this Mini Master Class, Shane Hennessy get into specifics as he demonstrates some of his techniques for creating grooves, and talks about how the right-hand technique can drastically change the style of the song." This one is heavily influenced by West African music." "In this video, Shane Hennessy performs his song, "Rain Dance" which is off his newest album. "In this video, Shane Hennessy performs his song "Marrakech" which is off his album, also titled Marrakech." ![]() "In this video, Shane Hennessy performs his most well-known tune, "Avenue." You can find the studio version on Shane's first album entitled Zephyrus." "In this opening performance video, Shane Hennessy performs his original song, "Effervescent." Shane joins us from Carlow, Ireland and plays quite a few fiery, rapid-fire, fingerstyle licks in this amazing performance." Grab your guitar, and let’s Play With Fire! You can also loop or slow down the videos so you can work with the course at your own pace. And then to illustrate their key concepts in a musical context - Play With Fire includes a live set of performances from each of these 17 artists.Īll of the performances are transcribed and you’ll be able to sync the tab and notation to the video using TrueFire’s learning tools. Each artist first shares their own creative approaches and guiding principles for performance, harmony, and composition in their mini-masterclass. “Though they bear numbers, they are not arranged heirarchically - each Commandment has equal import.Whether you cover, arrange, compose or perform songs, this unprecedented 8-hour collection of 17 mini-masterclasses from 17 of TrueFire’s top artists will majorly enrich your musicality, creativity and performance skills.Īll accomplished recording artists and passionate educators, your Play With Fire faculty includes: Ellis Paul, Andy McKee, Vicki Genfan, Fiona Boyes, Muriel Anderson, Clive Carroll, Adam Levy, Brooks Robertson, Christie Lenee, Massimo Varini, Mike Zito, Shane Hennessy, Blair Dunlop, Rohan Stevenson, Carl Wockner, Gareth Pearson, and Joe Robinson.įeaturing over 8 hours of creative insights and performances, Play With Fire is one of the most illuminating courses that we’ve ever produced. Even a lima bean has to have a piece of wet paper around it to make it grow. If you have a roof on your house, the hot air can’t escape. ![]() ![]() If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it. When you’re not playing your guitar, cover it and keep it in a dark place. Then you have to get that stink onto your music. He just stands there like the Statue of Liberty - making you want to look up her dress the whole time to see how he’s doing it. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. His song “I Need a Hundred Dollars” is warm pie. He was a Detroit street musician who played in the fifties on a homemade instrument. But make sure you are not standing in an open field. Just hit a big chord then run outside to hear it. Your instrument has more clout than lightning. If you can trap that feeling, then you have something that is fur bearing. You should play like a drowning man, struggling to reach shore. If your brain is part of the process, you’re missing it. But an electric guitar attracts Beelzebub. You have to be an equal opportunity employer in terms of who you’re brining over from the other side. Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. If the bush doesn’t shake, eat another piece of bread. Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. Use it to find spirits in the other world and bring them over. They fly really fast, but a lot of times they aren’t going anywhere. Birds know everything about how it should sound and where that sound should come from. The following sound advice can be found in the book Rolling Stone’s Alt-Rock-A-Rama (1996) which includes an article written by John McCormick about Moris Tepper.īudding guitarists take note.
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